When you get up on a stage and get rappin’, you need a trusty mic. More so when you are recording your jam. There’s a lot of fast talking and music involved in rap songs. To make sense of it, the details need to be captured right. And the rhythm of rap songs needs the warmth and clarity of the best rap microphones. That weighty low end of the good rap mics brings out the power of your words and the force of your emotion. With so many mics in the market, it is hard to sort out the true winners, especially over varying budgets. So we did the digging for you and picked out the 10 best microphones for recording rap vocals.
- 0.1 What are some tips for recording rap vocals?
- 0.2 Condenser mics vs. dynamic mics?
- 0.3 Which are the best microphones for recording rap vocals?
- 1 Top 10 Best Microphones for Recording Rap Vocals in 2017
- 1.1 Audio-Technica AT4040 Cardioid Condenser Microphone
- 1.2 Neumann TLM 102 MT Condenser Microphone
- 1.3 Rode NT1A Vocal Condenser Microphone
- 1.4 Audio-Technica AT2035 Large Diaphragm Studio Condenser Microphone
- 1.5 AKG Pro Audio C414 XLII Vocal Condenser Microphone
- 1.6 Rode NTK Tube Condenser Microphone
- 1.7 AKG Pro Audio C214 Condenser Microphone
- 1.8 MXL 770 Cardioid Condenser Microphone
- 1.9 AKG P220 Vocal Condenser Microphone
- 1.10 Shure SM57-LC Cardioid Dynamic Microphone
What are some tips for recording rap vocals?
Recording rap vocals requires you to bring energy and emotion into the song while enunciating. So here are a few tips to get the best track for the mix:
- Getting the right gear is the first step to recording great vocals. This includes the right microphone which flatters your voice. It should be especially capable of bringing the nuances to light. A great preamplifier should partner with the mic.
- Use a pop screen to avoid plosives, popping noises in the track.
- Once you find the right mic and preamp, set up the recording place. This area should be covered in acoustic foam or blankets in most parts. This dampens the noise reflected from the walls and keeps the vocals from sounding boxy. Do not cover the walls completely though. We need some reflection to make the music sound vigorous.
- Having the best rap microphone is not enough. You should know how to use them to your advantage. Vary the distance between yourself and the mic and judge which is the optimum distance for your voice. Usually loud and raucous rappers should stay 10-15 inches from the mic.
- Compression and mixing the vocals is a whole different ball game. You can check some of the best music production software here<Insert link>.
Condenser mics vs. dynamic mics?
These are the two types of mics which differ based on transducer. Condenser microphones are most commonly used to record audio in the studios. They offer great range and transient response. Their high and clear output is able to reproduce the original vocals pretty well. They are also more sensitive than the dynamic mics. They are generally not as robust as the dynamic microphones but some brands have gotten around to making durable condenser mics. They also ship with padded carry cases.
Condenser mics are of Large Diaphragm(LDM) and small diaphragm(SDM) type. The LDMs have a rich and deep audio response and it’s especially good for bass. The SDMs have a wide frequency response and are great for vocals and instruments.
Dynamic microphones are the more durable cousins of the condenser mics. They have a different kind of transducer which has a smaller frequency response compared to most condenser mics. But you still have some legendary pieces like Shure SM57s and SM58s which is as common as air in clubs and studios.
Most of the rap microphones covered here are condenser mics. Their accurate audio reproduction and warmth of the audio suits the fast string of words better.
Which are the best microphones for recording rap vocals?
We have already covered the best microphones for recording vocals. For rap microphones, we focused more on the condenser mic market. We picked 10 best rap microphones based on the following constraints:
Audio: When it comes to mics and headphone, the audio is the most important consideration. The best rap mics selected here are adept at effectively reproducing the lyrics of the rap song. And they maintain the original speed and accuracy of the audio.
Budget: If you are just starting to fancy yourself as a rapper, you might be looking for entry-level mics. But spending capacities vary so we have covered rap microphones across a wide range of prices. We made sure to pick those which bring you great value for money.
Accessories: The more accessories you get with the mic, the fewer things you have to buy to set up a home studio. These include mic stands, pop filters, carry cases, stand adapters, wires, wire adapters etc.. Some of these have to be customized for their mics, so it’s better to buy as a bundle.
Top 10 Best Microphones for Recording Rap Vocals in 2017
|1. Audio-Technica AT4040 Cardioid Condenser Microphone||Wide dynamic range and high-SPL capability||$$$||4.7|
|2. Neumann TLM 102 MT Condenser Microphone||Very high maximum sound pressure level (144 dB)||$$$||4.7|
|3. Rode NT1A Vocal Condenser Microphone||Self Noise of only 5 dB||$$$||4.6|
|4. Audio-Technica AT2035 Large Diaphragm Studio Condenser Microphone||High SPL handling and wide dynamic range||$$$||4.6|
|5. AKG Pro Audio C414 XLII Vocal Condenser Microphone||Three attenuation levels (-6/-12/-18dB) for close-up recording||$$$||4.4|
|6. Rode NTK Tube Condenser Microphone||Ultra low noise||$$$||4.2|
|7. AKG Pro Audio C214 Condenser Microphone||Switchable 20dB attenuator and bass-cut filter||$$$||4.2|
|8. MXL 770 Cardioid Condenser Microphone||Switchable bass cut and -10dB pad||$$||4.2|
|9. AKG P220 Vocal Condenser Microphone||Sensitivity: 20 mV/Pa||$$$||4.2|
|10. Shure SM57-LC Cardioid Dynamic Microphone||Uniform cardioid pickup pattern isolates the main source while reducing background noise||$$||4.2|
Audio-Technica folks are masters of sound. Their headphones and microphones are known to maintain excellent audio standards, no matter what their price range. As with all their other products, the AT4040 rap microphone brings more value than you pay for. Detouring from tradition, this is a sturdy condenser mic. And it provides a wide frequency range. It can take anything that you throw at it. The fast response makes it’s a perfect fit for the rappers’ needs. Its warm decadent audio clinches the top spot on our best microphones for recording rap vocals list. You can also check out our list of the best microphones for singing.
Design and Quality
The Audio-Technica AT4040 rap microphone does not pinch pockets when it comes to quality. This is a solid mic done in matte black. It comes with a foam-padded hard carry case. It also comes with a velvet cover for the mic. This keeps the dust off the mic when not in use. This is a critical accessory for condenser mics which we often don’t get at this price.
Another addition to the package is a spidery shock mount. Although this gives the stand a firm grip on the mic, it’s somewhat time-consuming to fix it. Once you get the hang of it, you might be able to fix it faster. The switches for 10dB pad and high pass filter are at the bottom of the mic. These are discreet enough that they won’t be accidently pressed.
The Audio Technica AT4040 rap microphone is a cardioid large condenser type microphone. The wide cardioid pattern helps to pick up all frequencies evenly. The frequency response graph has some peaks at 6.5kHz. But this does not cause any sibilance in the high-end performance. If anything, the audio sounds airy and rich. It does pump the high-end a bit and you get some extra sparkle. The transient response is fast and can keep up without distortion even at high SPLs. The maximum input sound is 145 dB SPL and it extends to 155dB with the attenuation pad. For rap vocals, you required very less EQ’ing with the audio from AT4040. The lower-end is weighty and dynamic. If at all, you will only need to tune the middle frequency peaks a tad.
The more important aspect of this rap microphone’s performance is its versatility. The AT4040 is so adaptable that it sounds equally great with a wide range of instruments, from guitar to drums and vocals. Because of its high sound pressure-handling capability, it can easily work with snares with an overhead placement. The low noise floor and a good pop filter will effectively eliminate most of the noise that creeps in due to AT4040’s excellent sensitivity. If you think that plosives are tainting your audio, you can just switch on the filter. It does not compromise with the meatiness of the low frequencies.
A 15-inch XLR cable is also included in the pack by some sellers. For all its talent, AT4040 rap microphone lies in the affordable range. But it gives the expensive Neumann mics a run for their money at a fraction of their cost. This is also a worthwhile purchase because of how well it treats the instruments.
- Wide range of response
- Fast transient response and almost exact replica of the original audio
- Can handle high SPL without distortion
- Comes with shock mount and carry case
- 10dB attenuator and hi-pass filter
- Noticeable plosives without pop screen
Neumann TLM 102 rap microphone is one of the more expensive mics on this best rap microphones list. While AT4040 does a good impression of the Neumann mics, the TLM 102 is the real deal. This is a vocal microphone through and through. The audio replication is detailed and clean. For rap vocals, there’s the right presence of frequency along with the transparency of vocals which makes them more legible. Their specialized talent finds a place in our best microphones for recording rap vocals list.
Design and Contents
Neumann TLM 102 rap microphone is an attractively small mic. Although a condenser mic, if you want to take it around during travelling, it will make a compact package. It comes in satin black and nickel finishes. The build quality is top-notch. But since this is a condenser mic, we urge you to be careful. It has an integrated pop filter, but you should still buy another pop filter to avoid plosives and damage to the mic.
This is a no-frills package which comes with only a stand mount in tow. The simple design has a silver band and a Neumann logo to depict its hot side.
The Neumann TLM 102 rap microphone is a large diaphragm cardioid mic. It can endure maximum pressure level of the 144 dB SPL. This makes TLM 102 great for use with loud instruments like drums. But it works best for vocals. It has clear peaks around the 6kHz peaks. This adds clarity and strength to the voice. The quick transient response catches the words of the rappers without making them sound too boring. The peaks aren’t pronounced like in the cheaper mics. So your voice opens up but does not sound sibilant at all. The vocals get a clear presence and highlight with this mic.
This rap microphone holds a ~1-inch condenser capsule. It is mounted on suspension which absorbs the vibrations instead of relaying them into your sound. This is covered in a slim pop screen but it has to be substantiated by an external pop filter.
Even without EQ, the TLM 102 rap microphone’s raw output is quite usable. This reduces the work needed to be done at post-production stage. The harshness of the voice does not creep in into the audio. This goes with the guitar too. The grainy strumming is smoothened out by the Neumann TLM 102. It is also more resistant to the plosives than other condenser mics. It even does well when addressed from the side. The comprehensibility of speech makes it an excellent choice for rapping.
- Clean and smooth audio
- Very compact
- Open vocals with intelligible
- Smoothens the grittiness of audio
- No shock mount provided
Rode NT1A rap microphone is a beauty at its price. It is in close competition with the AT4040 in its price range. But for rap vocals, we think the AT4040 edges it out. Still, if this is your price range, we suggest you try both mics, as individual preferences differ. Rode NT1A comes as a complete anniversary package with the most important accessories. It has noticeably upgraded itself over the NT1 mic. Rappers will like mouthing their words into something so fancy, hence its place in the best microphones for recording rap vocals list.
Design and Contents
The Rode NT1A rap microphone anniversary package has everything mic-related required for a home studio. The mic itself is a beautiful metal specimen. The capsule has double protection, first by a thin pop screen and then by hardy metal grille. A studio quality pop shield is included in the product for further protection from the plosives. A shock mount for reducing handling and vibration shocks is packed with NT1A. The accessories galore included a velvet dust cover, 20 feet of microphone cable and a tutorial CD with recording tips and what not. Rode packs all this at a very reasonable price.
The Rode NT1A rap microphone is a fixed Cardioid mic. It sees a complete internal overhaul compared to its predecessor NT1. The wide frequency response covers more ground than NT1. Apart from the presence peak that gives vocals a nice transparent quality, NT1A also has a slight bump near 120Hz. This makes the audio more weighty and natural. Rappers especially will appreciate the depth it lends to the audio. The presence peak is wide and more subtle compared to other vocal mics. So the highs don’t get any unnecessary bite. The overall response is flatter than most large condenser mic.
The performance of this rap microphone is nuanced like the more expensive mics. Its audio as a transformer-less mic is at par with their standards, but it doesn’t have their noise characteristics. In fact, it is a legend for shunting noise so well, it has one of the highest signal-to-noise ratio amongst its type. So the quieter details of your rap will be picked up by the mic easily. Since lyrics matter in rap, this is a favorable quality.
This Rode rap microphone has a transparent and nuanced midrange. This is complemented well by the low-end bump. Since the presence curve has been done so tastefully, it becomes easier to EQ the resulting recording. NT1A sounds pleasant and natural with almost all types of voices. It is also an excellent mic for instruments. The smooth high-end flatters the guitars. Because of its low noise floor, recording from a distance is also a very fruitful experience. It supports maximum SPL of 137 dB. There is no attenuation pad or filter.
- Detailed, neutral audio
- Bundled with a bunch of accessories
- Smooth high end, transparent mids
- Low noise floor
- The bass bump can be a problem in some cases
The Audio-Technica AT2035 rap microphone has got all the bells and whistles. This package is abound with features and accessories and then there’s the balanced, warm audio that A-T brings. It can span performances from home studios to professional studios. It is a hugely popular mic for recording vocals. Its bigger diaphragm and flatter response is a definite upgrade over AT2020, its older sibling. With its decadent audio it deserves a place in the best microphones for recording rap vocals list.
Design and Contents
The AT2035 rap microphone from Audio-Technica is a side address Large diaphragm mic. Given, its rather reasonable price, it looks relatively expensive. The build quality is great for the price too. Weighing around 400g, this mic can take the rigors of travelling. The metal grille provides ample protection to the capsule. You get a customized shock mount that grips the mic best and a pouch with it. A stand adapter is also packed with it. There is no solid carry case, you will have to find a good one yourself. A-T was probably trying to cut costs here. The buttons are at the bottom of the mic.
The AT2035 rap microphone is one of the best studio mics to come out in these few years. The fixed cardioid pattern means there’s relatively less noise. But this is a very sensitive mic so there will be some noise to deal with here. It responds in the 20-20,000Hz range as opposed to Rode NT1 which extends only up to 16,000Hz. The performance throughout the frequency graph is flat. You get a small presence peak, but it remains otherwise neutral. The signal-to-noise ratio is around 82dB which is good for a large diaphragm condenser mic.
This rap microphone can handle a sound pressure up to 148dB SPL which is quite something for this category of mic. Cherry on the cake is that AT2035 also packs a 10dB pad, so that extends maximum SPL range to 158dB SPL. A-T is very good at maintaining natural tones, be it with their headphones or microphones. So you get this warm and fun audio reproduction from the AT2035. With the hi-pass filter on, the mic loses some of its warmth. But the pad worked exceedingly well in cases where it was required.
We prefer the AT2035 rap microphone over the AT2050. We think that the former is a better investment for the entry-level rappers. The slight coloration of AT2035 is done to perfection. It neither too much that cannot be EQ’d out. Nor is it so less that it will sound lifeless and dull. AT2035 has this sense of musicality that is hard to beat unless you move up in the price range.
- Warm and clean audio
- High sensitivity
- Shock mount, pouch and stand adapter included
- 10dB pad and hi-pass filter
- Sensitivity draws noise
The AKG C414 rap microphone is one of the most well-known mics in the industry. There is a cheaper version named C-214 of the same mic. However, C-414 is the real deal. It comes in two models: C414B XLS and C414 XLII. They have slightly different audio characteristics, but both are stellar performers. You can pick the one that suits your vocals better. AKG packs excellent value even in their cheaper mics, so you can imagine how impressive the C414 can be. This definitely is one of the best microphones for recording rap vocals list, if your budget allows. We also have a list of the best live vocal microphones that you might like to check.
Design and Contents
The AKG C414 rap microphone has gone through multiple changes over the years. Although it is in the ballpark of the Neumann TLM 102 mic, the C414 is full of features. The most important thing you notice is the button up front that allows you to switch between 9 different pickup patterns. The physical difference between XLS and XLII is that the former has a silver/black design and the latter has gold/black design. The capsule suspension mechanism, buttons etc.. have changed from their last edition. C414s now have the feature to save your settings when the mic is turned off and on again.
This rap microphone is accompanied by a foam-cushioned aluminum carry case, a sturdy shock mount with quick-release mechanism, a pop filter and a wind sock. AKG makes every buck count.
The AKG C414 rap microphone is a hothouse of action. The most prominent rocker button in the front allows you to choose between omni, wide cardioid, narrow cardioid, normal cardioid and figure of eight pickup patterns. This facility allows you to alter your vocal range and the noise range from the sides and back of the mic. You can lock and unlock your selection so that it does not get accidently changed. The attenuator pad also provides three pad options: 6dB, 12dB and 18dB. This offers options to work with more instruments. The hi-pass filter also has three cutoff options: 40Hz, 80Hz, 160Hz. The cutoff of 40Hz and 80Hz is quite steep. The 160Hz cutoff is more gradual.
The difference between XLII and XLS rap microphones lies in their presence peaks. The XLII has a more drastic peak. There extra peak brings more transparency to its high frequencies. The audio has a sparkle to it. You get better physical range with this additional boost. You can check out either one, if one doesn’t work for you, the other definitely will.
This rap microphone brings a very balanced audio to the table. The detailed high-end clarity is pitted with a full body. Even while recording instruments, you get excellent instrument separation and crisp audio. The high-end sparkle does not compromise on depth of sound. The low-frequencies provide a solid base for the mids and the highs. These are very versatile in terms of the audio. The 158dB SPL means it can handle drums to guitars. This is a serious mic for people who want to get the most out of the mic.
- 9 pickup pattern choice
- 3 hi-pass filter cutoffs and 3 attenuation pad choices
- Locking features locks the pickup patterns
- Audio reproduction is excellent
- Smooth highs with full-bodied sound
- Mic is fragile
Rode NTK rap microphone is one of Rode’s expensive specimens. It lies in the moderate price range overall though. It has a charming design that is characteristic of Neumann mics. This is coupled with a reliable build that makes sure you don’t snap a few hundred dollars in one go. But more importantly, its audio characteristics can beat some of the expensive mics at their game. The low noise and high SPL specs bought it a way right into the best microphones for recording rap vocals list.
Design and Contents
The architecture of the Rode NTK rap microphone deserves its own review. This cost-cutting design takes some bold leaps to make itself worth your every penny. The interiors are primed to protect the diaphragm against low-frequency handling vibrations. The mic feels substantial in your hands. It can be easily disassembled and parts can be switched out, including the tube component.
This rap microphone comes with an excellent flight case. It does not require phantom power, it comes with its own power supply. A 7-pin cable is included to connect the two. You have to invest in a matching shock mount separately.
The Rode NTK rap microphone is a tube condenser design. For a tube, it entertains very low noise. The signal-to-noise ratio is 82dB which exceeds expectations for a tube condenser. The audio of this microphone goes one step above and beyond and turns out to be better than the original reproduction. The vocals sound stable, no matter what you rap at it. But they are energetic with the sparkle that comes with the presence peak. The suppressed energy in the tracks can be tackled to your advantage during mixing. There is expansive space for the vocals to breathe. Details rush through these crevices to create a wholesome sound.
The best thing about this rap microphone is how it responds to compression. There is no perceptible coloration to the tones of Rode NTK. So, compression and mixing the tracks takes relatively less EQing. The power of the audio resonates through the recording room clearly. So your heartfelt lyrics are not lost in the thick mix of instruments. The audio sounds relaxed and un-fatigued while maintaining its vibrance. The 158 dB SPL limit allows the NTK to endure some loud and unwieldy screaming. It does not give up its integrity even with resounding drums.
The NTK rap microphone also sounds a lot closer than other mics. So you can maintain a decent distance between the mic and yourself and still avoid much attenuation in the high frequencies. NTK has implemented the best possible design that could be gotten out of this price. It is in stark contrast to the pricey mics which have very less to offer.
- Highly economised, top-class design
- Airy and exciting audio
- Requires less EQ
- Comes with own power supply, required cables and carry case
The big brother AKG C414 rap microphone already has our green signal. But the C214 is no pansy. If you don’t require all the extras of C414 but you like their fantastic audio, C214 rap microphone is your friend. It offers good accessories and decent user options. Even though it is a condenser microphone, it is very sturdy for jetsetting with you. This is a mic with solid audio performance that deserves its niche in the best microphones for recording rap vocals list.
Design and Contents
The die-cast body of the AKG C214 rap microphone holds strong in the event of a physical shock. The entire construction is shock and scratch-resistant. The double-mesh grille in front of the condenser not just protects it against physical shocks, it battles against stray radio waves and wind noises to some extent. There are buttons for switching on a 20dB attenuation pad and a High pass filter. Both buttons are recessed, so you won’t switch them accidently. But they are accessible with your fingers.
This rap microphone comes with a rock solid shock mount. This is easy to fit and it’s durable. A hard and stylish carry case and a windscreen are shipped with the pack.
The AKG C214 rap microphone offers the two main features of the C414, 10dB attenuation pad and a High pass filter. The audio responds differently to different voices. So it can be a hit or miss for you. If you find the strum of instruments to be a little muddy, you can engage the High pass filter. It easily smoothens down the sound and eliminates the need for EQ. For rap vocals, you get a nice bass-end in male vocals. So your lyrics come through power-packed and energetic. Female vocals may sound slightly thin compared to similar mics.
The maximum SPL level that C214 can handle is 156dB. So you can get up and close with the drums and guitars without tearing up the diaphragm. The clean, rich sound allows your rap lyrics to get genuine attention. The presence peak brings a sparkle to the mix. But it is not overdone. The audio of C414 has a fuller body and the top-end is much smoother. But its price is that much steeper.
- Sturdy mic with carry case, windscreen and shock mount
- Clean and powerful sound
- High pass filter and 20dB attenuator
- Can sound thin with female voices
MXL 770 rap microphone comes up in many stereophile discussions because of its great all-round appeal. Vocals, guitars, drums piano, all benefit from the audio of MXL770. However, rap vocals are specially flattered by the solid bass and the bright top end. The best part is the price. MXL 770 is a highly affordable mic for its capabilities. And it serves well for the entry-level musicians who need a multipurpose mic. That kind of repertoire easily earns a place in the best microphones for recording vocals list.
Design and Contents
The MXL770 rap microphone is a black specimen with gold logo and thin gold line. Right under the gold embellishment lie the 10dB attenuator and a bass cut button. These are easy to find and turn. The mic is shipped in a hard carry case with enveloping foam for it. It also comes with a shock mount which can be placed in the hard case as well. All components are sturdy but we would be careful with their handling. This is an affordable mic and there’s only so much strength they can pack at that price.
The MXL 770 rap microphone does the trick in the bass-end of the frequencies for rap vocals. Playing in the 30Hz to 30kHz range, the noise rating is relatively high at 20dBA. This can be mitigated by using the right pop filter to avoid plosives. The maximum SPL is 137 dB which sounds about right at this price. This is small-diaphragm cardioid mic. The 6 micron gold-sputtered diaphragm makes for wonderfully warm and natural vocals.
Both male and female vocals find solace in the low-frequency richness of this rap microphone. It makes the good voices sound natural and the thin voices sound more substantial. The low-cut filter will come in handy if you are looking to tighten the low end. The attenuator increases the maximum SPL even further. Background noise is kept at bay through much of the recording. Having a good bass performance, does not signify that MXL 770 muddies the audio. It is very clear-sounding which is why it has been lodged in the league of much more expensive microphones.
- Clean and clear audio
- Affordable mic
- Outstanding audio for money
- Has 10dB attenuator and low-cut filter
- Picks up some background noise
The AKG P220 rap microphone is one of AKG’s budget-oriented mics. This is a hardy mic for the beginners who have a modest budget. But don’t let the price fool you. This is an excellent device for the rap and rock vocalists. Clear, clean and full-bodied audio from the P220 needs only the lightest EQ touches. Basic features like the attenuator pad and low-cut filter add more value to the mic. With its proven track record with vocals, we whipped it up for our best microphones for recording vocals list.
Design and Contents
AKG does not mince money on the construction of the P220 rap microphone. This is a thick metal mic, not one of those spindly affairs that disintegrate in your hands the moment you hold them strong. It is heavy though, so handsy rap vocalists need to be careful. It comes with an equally reliable spider shock mount. Both are embedded in a neat case for portability. The buttons for the attenuator and low cut filter are on the front side. These are hard sliders, so you won’t be engaging them by mistake.
The shock mount of this rap microphone screws onto the mic instead of relying on friction. So you can use the mic in various configurations like upside down over drums without the fear of it falling and shattering.
The P220 rap microphone from AKG works in the entire audible range of 20-20,000 Hz. The response is predominantly neutral. The bass roll-off begins at 100Hz and the presence peaks are around 10kHz. The signal-to-noise ratio is 78dB. For the normal close-mike applications and studio work, this is enough. The problem is when you are not recording in a quiet room. Its maximum SPL level is 135dB, which works for the rap vocals and then some. The attenuator extends this limit by 10dB.
This rap microphone is known for its meaty and warm low-end performance. It’s not so all-consuming as to limit the purpose of this mic. But it does add more naturality to the tone of P220. If the rap vocalist already has a powerful low-pitched voice, you might need to engage the low-cut filter. It rolls off bass at 300Hz to avoid proximity effect. The performance of P220 is also much dependent on placement and positioning. It is highly sensitive so unsuitable for stage use. At its price, it already exceeds expectations in studio environment.
- Sturdy build of mic and accessories
- Screw-on shock mount and hard carry case in the pack
- Warm low-end and airy highs
- Close miking can cause perceptible boom without low-cut filter
Shure SM57 is one of the oldest horses in the stable. It is still going strong. From White House to your favourite pub around the corner, you will find SM57s everywhere. This is a dynamic mic but its wide-range performance is exactly why it has been the most popular mic since 1965. If nothing else works for you, Shure SM57 will give you great odds of working well. Which is why, it gets a place in our best microphones for recording vocals list. Also, you can check out our guide for the best vocal microphones.
Design and Contents
Dynamic mics are generally grittier than the condenser mics. So the Shure SM57 rap microphone holds its own. Its design now officially classifies as vintage. It is built for durability. And you will see many people with Shure SM57 a decade or older. Like most dynamic microphones, it can be mishandled without causing lasting damage, physically or sonically.
This rap microphone is available in different bundles: without cable, stand cable and windscreen bundle, with XLR-to-USB adapter etc..
The Shure SM57 rap microphone is a dynamic cardioid mic. The best thing that it can do for a rapper’s home studio is that it rejects noise. The dynamic mics are directional. They do not pick up noise from the sides and the back. Another major advantage is the ability to take loud sounds. So even if you like to scream your guts into the mic, the SM57 can take it. The rappers can utilize Proximity effect to get a bass boost. This happens when you close-mike. The bass in your voice is automatically boosted.
This rap microphone has a beautifully-done presence peak. This reduces feedback but increases comprehensibility of words. Be it with vocals or instruments, SM57 performs admirably. It is not the best mic in the market, but it is trustworthy and assures decent performance to a range of voices and instruments.
- Universal mic for vocals and instruments
- Rich, smooth audio
- Prominent wind noise without pop screen